written by bendygirl at Friday, March 25, 2011
The things you can find on the Interwebs, like this piece, on The New England Journal of Aesthetic Research:
In collaboration with The Portland Phoenix, The New England Journal of Aesthetic Research is issuing a call for public art: Mural depicting the glorious contributions of the Maine businessperson.
Seeking designs for a 36-foot-long, 8-foot-tall mural to replace a degenerate, “one-sided” mural at the Maine Department of Labor office in Augusta. Please e-mail jpgs to firstname.lastname@example.org, or if you insist to us.
Submissions are encouraged to honor Maine’s grand business history, from logging to ship building, from the brave executives who put down the 1937 women’s strike to steadfast proponents of child labor, from the paper mill bosses who purified our waters with dioxins to those who intrepidly called in the National Guard to restore order in the face of wrong-thinking mobs and crybabies, and surplus and salvage company CEOs who selflessly offer damaged goods for retail sale before giving it all up for public service.
Labor history as one sided, it's a fascinating concept, since Labor history in general is about, LABOR. It's totally one-sided. But then again so is the history of slavery, so is women's history, and so is the history of mental health care in the US. History about a given topic is about that topic, as was this art work. It was about workers for a building catering to workers, not the businesses that abuse, disregard or even love the workers. It was about the workers and their struggles, not the businesses and their struggles.